Canon EOS-1D X Mark II – first 4K sample footage. This 1DX II footage isn’t as punchy or sharp as the Canon C300 Mark. Some of the footage Canon released.

• Green Screen Sample Footage

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1. Samples ready for download, ready for test in Cinec. Following are sample files of videos you can download ready to test for. Canon C300 AA004001.MXFShoot.
2. From the extraordinary diversity of productions done with a large body of C300 camcorders around the globe for the ensuing four. Canon EOS C300 Mark II Tutorial.

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Bringing Canon's expertise and decades of experience designing sensors, lenses, image processing and design to the world of motion picture capture, the EOS C300 camera has been designed to meet the demanding needs of cinema industry professionals, providing a modular, portable and eminently adaptable system of cameras, lenses and accessories built for moviemaking in the 21st century. Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture.

Compact, modular and compatible with Canon's existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets. The EOS C300 has a Canon EF lens mount and is compatible with all of Canon's new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and fisheye - over 60 in all. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production, the EOS C300 is ready to go to work. New Canon Super 35mm CMOS Sensor Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It uses 3840 (H) x 2160 (V) photosites to perform the crucial optoelectronic transformation of digital imaging. Each photosite is a generous 6.4 x 6.4 micrometers in area and each has a microlens that ensures the highest efficiency in light transfer to the individual photodiode.

Proprietary technologies within the photosite simultaneously lower the image sensor noise floor while enhancing the photon capacity of the photodiode - a combination that assures superb dynamic range. The image sensor employs an innovative readout technique that delivers full bandwidth individual RGB video components without the need for any debayering algorithms. Each of these components has a 1920 (H) x 1080 (V) sampling structure at up to 60 frames.

From these original video components, a 1080-line 60i format or a 1280 (H) x 720 (V) at 60P HD format are selectively derived. ISO range now up to 80,000 with now available.

Green Screen Sample Footage

Canon Log Gamma Shooting in Canon Log mode, cinematographers can set the camera exposure value using their customary light meter practices. Canon Log is a special nonlinear transfer function embodied within the DIGIC DV III RGB video processing system. This transfer function is specifically designed to facilitate the post-production of digital images originating in Cinema EOS in a manner similar to the post-production of images digitally transferred from motion picture film (the contemporary DI process). By managing the disposition of quantization bits, Canon Log ensures excellent tonal reproduction within both highlight and low-light regions of a given digital image - maintaining a total dynamic range of 800%. These sophisticated video grading processes restructure a new digital representation achieving a sought-after creative look on a quality reference display. Canon DIGIC DV III Image Processor Designed and built by Canon for the highest HD RGB processing, the DIGIC DV III Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations originated in the single CMOS sensor of the camera into three channels (Red, Blue and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs.

Canon XF Codec XF Codec Image Quality To create digital files robust enough for major post-production, the EOS C300 delivers the highest image quality with its XF Codec - the same codec used by other Canon XF - professional camcorders. With 4:2:2 color sampling, image files have double the vertical resolution of color components created with 4:2:0 color sampling, minimizing jagged edges between red and blue and ensuring ample quality for chroma key compositing with green screens. Thanks to the Canon XF Codec and the EOS C300's superior resolution, original color quality and cinematic look will hold up through post-production - with results that meet or exceed the filmmakers expectations. EF and L-Series Lenses A unique combination of the world's most advanced optical, microelectronic, and precision manufacturing technologies, the Canon's EF lenses, compatible with the EOS C300, are perfected in Canon's laboratories and proven in the field. Whatever the application, whatever the budget, there are Canon EF lenses perfect for nearly every scenario. Their compatibility not only affords the Cinema EOS access to some of the finest optics on the market, it opens up myriad possibilities with Canon's superlative specialty lenses, including a range of Tilt-Shift lenses, Close-up lenses and even Canon's amazing EF 8-15mm f/4L Fisheye Zoom.

Canon EF Cinema Lenses Canon EF Cinema lenses are designed and engineered to meet or exceed the exacting standards of working professionals. Every Canon EF Cinema lens is designed to fulfill contemporary 4K production standards, surpassing the performance requirements of any HD imaging system. Zoom lenses feature large aspherical lens elements to achieve sharp, consistent images in every shooting situation. Geared inner focusing minimizes focus-induced changes in the angle of view, rendering focus breathing virtually zero. The 11-blade aperture diaphragms ensure smooth out-of-focus areas and beautiful bokeh - and innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. EF Cinema lenses provide markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or either side of the camera. Focus markings can be switched from standard labeling to metric.

Control rings are designed to maintain the proper amount of resistance with consistent operating torque. EF Cinema lenses share uniform gear position, diameter and rotation angle as well as front lens diameters, enabling the film crew to quickly change to another Canon zoom or prime lens or compatible third-party accessories like matte boxes and rods without adjustments. Canon EF Cinema Zoom Lenses Canon's Cinema EF Zoom lenses offer unrivaled optical performance for demanding high-end productions, available in both EF and PL mount configurations. With fluorite, aspherical lens elements and advanced optical design, these unequalled Cinema EF Zoom lenses are capable of 4K-image reproduction. The wide-angle CN-E14.5-60mm T2.6 L S/SP provides industry-leading breadth of range; the telephoto CN-E30-300mm T2.95-3.7 L S/SP rivals best-in-class zoom magnification and telephoto focal length. Together these lenses cover the range most commonly used in cinema shooting.

Canon EF Cinema Prime Lenses The brilliant series of Cinema EF Prime lenses offers spectacular 4K-image quality in lightweight, compact designs. Three models for EF mount cameras - CN-E24mm T1.5 L F, CN-E50mm T1.3 L F, and CN-E85mm T1.3 L F - offer consistent form factors and marking optimized for motion picture production.

Whether you shoot with a Canon EOS C500 or EOS DSLR, the compact and consistent lens design makes for excellent handling. Audiences will also love the results from the 11-blade aperture diaphragms, fast t-stops and proven Canon lens elements. Compact and Modular Design The EOS C300 body is surprisingly small (5.24' x 7.0' x 6.7') and easily hand-held at just over 3 lbs. There is a bright 1.55 megapixel electronic viewfinder that comes bundled with a removable combination 4-inch, 1.23 megapixel monitor and control panel. The camera also has a removable hand grip with a control dial and function buttons for hand-held shooting in DSLR style - or remove it and use the supplied thumb rest for completely stripped down shooting. The EOS C300 has a manually-operated built-in Neutral Density glass filter offering 1/4, 1/16 and 1/64th steps of filtering. Hand-held or using a tripod, on location or in the studio, even on 3-D rigs, the EOS C300 fits shooting situations that are challenging for larger cameras.

CF Memory Card Recording For versatility and reliability, the EOS C300's recording and terminal specifications are completely compatible with the prevailing industry standards. It records to CF cards through dual slots. From a cost and reliability standpoint, CF cards have no equal.

Solid state, and easy to find, 2 hours of 4:2:2 50 Mbps footage can be recorded on two reusable and hot swappable 32 GB CF cards with ease. It's even possible to record to two CF cards simultaneously and relay-record for uninterrupted shots and copy from one card to another. Multiple Recording Formats and Advanced Recording With the realities of production in mind, the EOS C300 can record in a number of different modes, resolutions and frame rates, delivering quality recordings perfect for any application. 24.00p mode matches the exact frame rates of film cameras, so there's no need for time-consuming frame-rate conversion. And the camera can shoot in both PAL and NTSC modes at 50 Mbps (CBR), 35 Mbps (VBR) and 25 Mbps (CBR) with a range of settings for resolution, color, frame rate and recording time. Whether shooting with the expectation of significant editing and post-production, recording for compatibility with HDV editing, or simply creating the longest possible HD image files, the EOS C300 camera will perform flawlessly. High-Speed, Slow-Motion, Time-Lapse and Stop-Motion Beyond the advantages of file-based recording, the EOS C300 offers a number of creative possibilities in post-production.

By capturing fewer frames per second, the camera can transform normal action into intense high-speed motion up to 60x. By capturing more frames per second, the camera can slow down motion to 1/2.5x at 720p. The EOS C300 can also be programmed to record a set number of frames at defined intervals for amazing time-lapse photography - and a frame-recording feature is perfect for stop-frame animation.

Full Manual Control and Focusing Aids Providing the cinematographer with everything they need in the palm of their hands, the EOS C300 comes ready to produce. The cameras have a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. The Vectorscope (VS) display shows real-time hue and saturation levels. For sharp focus, the EOS C300 camera has two peaking modes and a magnified focus assist function. An Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents focus in three specific areas displayed on the camera's 4' LCD monitor. To maintain proper highlight exposure, it offers a zebra bar feature as well.

It's all in the camera. WFT Wireless Remote Control over Wi-Fi Offering a new level of mobility, the Canon Wireless File Transmitter WFT-E6A opens up a world of wireless options to the EOS filmmaker. The EOS C300 camera comes preconfigured so that camera settings can be viewed and controlled on third party devices with web browsers, including computers, smartphones and tablets without the need for additional in-camera software.

With the WFT-E6A module the camera can be controlled from up to 150 feet away over an 802.11 a/b/g/n wireless network. The WFT-E6A enables superior camera control: users can start and stop recording; adjust focus, white balance, gain and other parameters; and adjust the aperture of Canon EF lenses. This offers huge potential for specialty applications where cameras must be controlled remotely such as nature documentaries or reality TV. It also enables input marking for metadata; and offers a live view of the composition.

It supports incorporating GPS information into the file metadata - useful for general cinematic applications, and essential for expedition filmmakers. A basic window mode even enables use with the Apple iPhone®, iPod touch® and iPad®, as well as with handheld devices operating the Android™ operating system.

This is used to set the allocation of the audio channels: CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel. CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel. CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.

ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels. 23 Custom Picture settings A total of nine 9 Customized Pictures are available in the camera and up to 20 can be saved to an SD card Custom pictures can be adjusted using the following settings and saved for later recall: Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Reduction, Skin Detail, Selective Noise Reduction, Color Matrix, White Balance, Color Correction, Setup Level Custom Pictures CP8 and CP9 ship with the following presets: C8: Cinema - Suited for giving recorded media a film tone.

C9: EOS Standard - Used to match the quality of DSLR video shot in EOS standard mode. Shutter Angle Priority A constant shutter angle can now be maintained, regardless of any other camera settings being changed. WFT-E8 Wireless File Transmitter Support The optional WFT-E8 Wireless File Transmitter is now supported, adding wireless operation, metadata input and speedy image transfer from the camera, while offering expanded versatility with an enhanced user interface. Dual Pixel CMOS AF Function The EOS C300 DAF version of the camera can now take advantage of the Dual Pixel CMOS AF technology when used with the CINE-SERVO 17-120mm (EF-mount) and COMPACT SERVO 18-80mmm lenses.

Grip Zoom Function The zoom functions of the CINE-SERVO 17-120mm (EF-mount), CINE-SERVO 50-1000 (EF-mount) and the COMPACT-SERVO 18-80mm lenses can now be controlled directly from the camera’s grip unit. Auto Iris and Push Iris Support The Auto Iris and Push Iris functions will now work when the camera is used with the CINE-SERVO 50-1000mm, CINE-SERVO 17-120mm (EF) and COMPACT SERVO 18-80mm lenses. The Auto Iris feature allows the camera to automatically adjust to maintain proper exposure. The Push Iris feature allows the camera operator to temporarily take control and adjust the aperture (f/stop) for an optimal exposure. Peripheral Illumination Correction The camera can now collect Peripheral Illumination Correction data when used with the EF24-105mm f/4L IS II USM lens.

This allows the camera to automatically adjust the picture to correct for corner shading, helping to maintain consistent brightness across the image area and reduce vignetting. This is to make Misc appear on the page when needed.

Magnanimous Media has put together a couple sample videos in with the, which shoots 4K video and features Canon’s Dual Pixel CMOS AF functionality in the EF mount flavor. There’s also a PL mount option – but no autofocus (for obvious reasons). Coincidentally, the C300 Mark II is. You can watch the 4K version of the sample footage in the YouTube version below.

youtube Most of this footage was shot at ISO 4000 and on the. The below video is more sample footage shot it daylight at lower sensitivity settings. You also get a sense of the flat look of the Canon Log 2 setting and then what it looks like graded. youtube If you want a good look at the feature set and tech behind the C300 Mark II, check out the video below from Zacuto that feature’s Canon’s Jon Sagud walking through the camera from top to bottom.